Thursday, August 11, 2011

JLA No. 6 "The Debut of the Time Lord!" AFTERWARD

So, what did you think? Did you see the time-travelling ending coming? My guess is after the whole team showed up and it was already page 30-something you probably guessed it would be a two-parter. A little side note: in true continuity the first two-parter in their history featured The Time Lord (and Felix Faust, but he's not coming up for a few issues yet) so I figured I'd do the same. :-)

You have to remember that this story took place in the early 90s. Dinosaurs were BIG then (well...you know what I mean!). So it seemed like a no-brainer to pit my guys against them. How to do it: either bring them back to the dinosaurs, or bring the dinosaurs to them. It's a lot easier to draw jungles than it is to draw cities, so....:-)

A few other notes about this issue that struck me as I was scanning the pages in:

 As I mentioned in the Forward, this story started by me asking the question: How would the JLA come across a character like the Time Lord? I picked Black Canary as the main protagonist for two reasons: 1. she had a brand new logo (more about that later) and 2. she was popular with the girl readers (and I had an idea for Wonder Woman that I used two issues from now). As soon as I hit on the idea of having a member come across the Time Lord on an individual case and then have that adventure escalate into a story that involved the entire group, I narrowed the choice down to Black Canary easily. So...the first few pages are actually a Black Canary adventure, which seemed kind of cool. She maintained her popularity as long as I was drawing these, which I liked.

It always seemed odd to me that if you happened to be reading an issue of BATMAN, he would be able to solve whatever death-trap plot-devise his Arch-Nemesis would toss at him, but if he happened to be in JUSTICE LEAGUE then he would suddenly need his buddies' help.  So with that in mind, when Black Canary is faced with a choice of either breaking into the museum or asking for a quick teleportation lift, it seemed logical for her to call Aquaman to help her out. He is at her service, after all. Especially characters like Black Canary and Green Arrow, who would otherwise not have a way into the building without teleportation (unlike, say, The Flash or Green Lantern, who could get in under their own power).

This was the first issue where I started to create some of the internal logic and rules of "my" Justice League: namely, I established that there are two types of "alerts" that members can send out: Yellow Alerts, which is asking for help from anybody who happens to be available; and Red Alerts, which are A-1 emergencies that all members must respond to.  This made sense to me at the time, even though in the very next panel showing Aquaman staying on duty, Green Arrow is shown receiving the signal...! So...uh...what exactly is Aquaman supposed to be doing? Co-ordinating something? Or did *he* send along her signal? That part was left unclear. And when the Red Alert signal goes out, he is shown to be
responding himself, leaving no one at the satellite on monitor duty. That doesn't seem right, either....and will be addressed in a couple of issues after I had realized my mistake. Later issues will show that there is always a member on duty...although I guess if it's a Red Alert that member would also respond...? See how complicated it gets? ;-)


As for Black Canary's logo, she is the only member to ever get two logos. When I was putting together the Roll Call Portraits I only had access to the comics I had with me in Japan at the time...and the only logo I had for her was the straight block type. So that is the one I used in issue 5. Then between issues 5 and 6 DC came out with their new BLACK CANARY ongoing series, and with it a new logo. THIS is the one I used from issue 6 on! :-)  

In general I thought this issue did what it was supposed to do very well: it starts out as a solo adventure, becomes a team-up, and then, finally, a team story: just in time To Be Continued; all in a straight-forward and logical way. We'll see if it all ends as clearly as it starts! 

Wednesday, August 10, 2011

How To Be A Cartoonist by Albert the Alligator

Here's our weekly POGO installment. This is from March 8, 1964.
This week Albert the Alligator is explaining how to be a cartoonist.
Read it (click on it to enlarge it) and then...re-read it!
I'm betting you'll notice something new on the second reading.
First, of couse, is the gorgeous art. It's hard to miss, as Pogo himself is pointing it out to us.
(Imagine it in Sunday Funnies color!)
Then notice the words....satire and a dash of vaudeville.
Now consider how they are a perfect match...! Yep, Walt Kelly was a genius.
Panels 7-9 are a good example of how he could be social and/or political...what sounds like a dig at the Baby Boomers is actually a gentle teasing of them....notice Albert's leer in panel 8, juxtaposed with his prudishness in panel 9, leading to our kicker of an ending.
This breaks "the fourth wall" in so many ways, but is just plain fun and entertaining.

Yep, pure genius.

JLA No. 6 "The Debut of the Time Lord!" To Be Continued

The Justice League has "time-slipped" (time-travelled) 100 million years into the past and now faces 3 problems....1) How can they return to the present day? and 2) How do they survive until they can? And finally 3) If they do return, how can they stop The Time Lord?
The surprising answers....next time!!!
Please look forward to JUSTICE LEAGUE No. 7!

Sunday, August 7, 2011

My Hometown Hiroshima

In the Spring of 1983 I received a full-paid scholarship to visit Japan that summer. This happened through my dad's company's corporate sponsorship of an exchange program called Youth For Understanding (YFU). I had never heard of them before (and I haven't heard much of them since).  After I was chosen I spent a good month or so anxiously waiting to find out where exactly I was going to be sent. When I finally found out that I had been placed in a small town called "Kuchiwa" in Hiroshima, it didn't exactly make me *less* anxious. I was a little bit afraid that people would treat me badly because of the bomb and lingering anti-American feelings. Remember, this was just at the time of the worst "Japan-Bashing" that was happening in Washington. If you have never seen pictures of Congressmen taking sledge hammers to a Japanese-built car, you should google it. It's not a pretty sight.

When I finally arrived in Hiroshima Airport and was greeted by my host family, I was surprised to find that only my host-brother spoke any real English. It turns out that he was going to the US for an academic year in the fall, so in order to help him improve his English his family had agreed to accept an American for the summer. I, of course, didn't speak a word of Japanese at the time. I'm sure I caused him some troubles as my glorified "baby-sitter." 

Hiroshima the city is a collection of islands divided up by Ota River. The name itself means "spread-out (wide) island(s)." It's a city surrounded by mountains on one side and the Pacific Ocean on the other. My host-father's brothers and their families lived in the city, but my actual host-family lived out in the country at the "ancestral" home. It was protected from the bomb blast by the surrounding mountains, so the family survived the post-war days.  

To make a long story very short, I ended up having the time of my life. My host family was super-nice to me, and although I felt like I was a burden to them at times, I did try my best to "go with the flow." Japanese high schools don't start their summer vacations until the end of July, so for the first month or so I was taken to my host-brother's high school and showed off as a "freak." I wasn't allowed to spend the day with the "real" students, so I spent my time in the school library (studying Japanese or reading what English books they had) or talking to the English language teachers there. I know I gave my host-family headaches because I didn't like many Japanese foods (especially seafood) when I first got there. I ended up losing a lot of weight and I think they were concerned about my health. But I somehow communicated with my host-family and their friends: we talked baseball, music, movies, television, and girls. This is when I first came to love the Hiroshima Carp baseball team, Kinchan band, and Japanese idol Akina Nakamori (but NOT Seiko Matsuda, her rival). We went to a few baseball games and if you've heard any rumors about how Japanese cheer on their baseball teams, they're true. They are crazy! (And I've hated the Tokyo Giants ever since!) We teasingly tested each other on our native language skills. My host-brother dared me to learn the words to a Japanese pop song, so I did (phonetically...I learned the meaning later!). The first Japanese I ever learned was "taberu" to eat, taught me by my host-father. The first kanji I ever learned were "Hiro" and "Shima." They are still two of my favorites.

As a tourist I was taken to The Hiroshima Peace Park pretty early on in my stay. There is a large Museum documenting the history and showing artifacts from the day. Have you ever heard of the granite wall with a shadow of a man permanently imbedded into it? It's on display in Hiroshima. Behind the Musuem building is an arch I learned was called a cenotaph: I didn't know what that word was when my host-brother showed it to me in the dictionary, but I won't test your knowledge here: it's a gravestone for bodies that are not necessarily buried there. Because so many people were instantly obliterated by the bomb, this is all that remains to remind us of them. Located somewhat behind this stone object and its eternal flame is the A-Bomb Dome. It had been an industrial hall of some sort during the war and because it was the epicenter of the blast, it somehow managed to survive the actual explosion. It's an impressive and sobering sight. (You can just see it at the bottom of the photo above, across the street from the baseball stadium.)

The people of Hiroshima never gave me any trouble about World War 2. No one cornered me and told me that I had killed their parents. In fact, the opposite happened a couple times: people would thank me on behalf of the US for helping to end the war they could not end themselves, and for helping in the post-war reconstruction. 

The other beautiful thing about Hiroshima is the island shrine known as Itsukushima, located in Miyajima. It is one of the famous Three Sites of Japan.  You've probably seen pictures like this one of its beautiful orange torii gate standing out in the ocean. This is just the start of its beautiful, ornate architecture. Because it was shielded by the mountains, it, too, survived the atomic explosion and the buildings etc are the originals.

I've been thinking about Hiroshima a lot lately. For one thing, I've been thinking about writing this series about my favorite cities, which would of course include Hiroshima. Then without me really realizing it, August 6 rolled around again. Each year, I see the news and remember the time I visited the Peace Ceremony myself. Thousands of people crowd into the small plot of land the nation has set aside as rememberance of that terrible event. Guest dignitaries such as Ambassadors from many nations (but never the US) attend. The mayor speaks. Flowers and wreaths are layed. At exactly 8:15 AM a moment of silence is observed. Doves are released. Tears are shed. I had already been to the Peace Park before, but when my host-family mentioned the Ceremony and asked if I wanted to go, I jumped at the chance. Because my host-brother had left for the States the week before, my host-mother dutifully took me on the train the night before, we stayed with our family in the city, and we got up early to join the throng of people. It was as hot as hell and the most un-enthusiastic event I have ever participated in. And I am terribly glad I went. Visiting the Peace Park and the Peace Ceremony brought it painfully home that wars have no winners, only victims.

People talk about life-altering experiences; for me my summer in Hiroshima definitely qualifies. An off-hand remark from my host-family that I couldn't learn Japanese because I was a foreigner made me want to study and become fluent. This literally changed the course of my life. When I got to college I tried very hard to create an exchange program with Hiroshima University; when that didn't work I went to Miyagi University of Education in Sendai but came "home" to Hiroshima for winter break. My host-family couldn't believe I was actually understanding them now! :-) When my parents visited in 1986 I took them to Hiroshima and introduced them to my family there, this time as interpreter. After I got a job in Miyazaki I went back to Hiroshima several times to visit my host-parents. They came to my wedding in 1990. My daughter and I visited with them when we passed through in 2005. 

Yes, the people of Hiroshima showed me so much love and affection that I have always considered it my second home. I lived the longest in Miyazaki. Before that I lived in Miyagi. But first, I lived near Miyajima. Is it a coincidence that all three places share the same kanji (meaning "royal.")? Maybe. But for years whenever Americans asked me "Where did you live in Japan?" I would always answer, "It started in Hiroshima. I'm from Hiroshima." 

Tuesday, August 2, 2011

"Let's Go To Prison" The Shawshank Experience

I don't really remember when I first saw or heard of the movie The Shawshank Redemption. I lived in Japan in the Nineties so my sense of Pop Culture isn't very good for that era (in fact, most people I know now joke that I "missed" the Nineties because I don't recognize Seinfeld or Office Space references, but I digress...) I'm pretty sure I saw it on video a year after it was released because US movies tend to come out a year after they are released in the States AND because we hardly ever saw "first-run" movies in theatres.
I remember liking it when I saw it. I had always liked Tim Robbins, I remembered and liked Morgan Freeman from The Electric Company, and I knew James Whitmore from long back (he and I shared a birthday!). Plus the story is exactly the kind I like: not too flashy, deep with plenty of scenes you can watch and re-watch, and a twist ending.
In 2001 I moved back to the States to a little town in Indiana; in 2005 I moved to Columbus. I don't remember when I learned that the Ohio State Reformatory in Mansfield, Ohio, was the location where they filmed 80% or so of the movie, but it must have been close to immediately after moving here! So for nearly six years I've wanted to take the day-long trip North to visit the site. It was just always too far, or I was too busy, or my daughter wasn't around, or something....Until now. Yuko didn't go back to Japan this summer because we are all going to go back together in the winter, so she has been trying to find things to do and places to go on the weekends. We went to pick blueberries one week. We went driving to hunt down covered bridges another. Next week we're going to the Twins Festival in Twinsburg (yes, it's true the oddest town names are in Ohio!). So I naturally said: We're going to Mansfield.

Mansfield is about an hour-plus directly northeast of Columbus. It's a basically straight shot on 71 North. Once you get off the highway it's a winding ways around the town of Mansfield to get out to the outskirts where the former prison is. Have you ever gone on one of those country drives and you're following the directions and are *just* thinking that you might be lost when... BAM! you turn a corner and find what you were looking for? That's exactly what happened to us. Right as we were about to say "it's got to be around here somewhere....!" we literally turned a corner and saw this:
Wow! It looked like some Evil Queen's castle....and we were all giddy that we had made it! We got there at about 12:00, but the gates didn't open until 12:30 and tours didn't start until 1 PM, so we had to get in a line of cars full of people already waiting. We spent the time reading the pamphlets available at the gate, anxiously waiting for them to open.

A few words about the building itself. It was constructed in 1896 as a Reformatory, i.e. a place to take "wayward" young men and teach them trades and try to reform them before returning them to society. For most of its life it was 90% self-sufficient: in-mates grew their own vegetables, raised their own cattle and chickens, made their own shoes, etc, etc. Gradually it became more of a hardened criminal penitentiary until by the time it closed in Dec 1990 it had become one of Ohio's State Penitentiaries. In fact, it was closed because it was too old and too cramped. Originally the state had planned to demolish it in order to build a new penitentiary on the same site. However, the Historical Society intervened and asked if they could take control of the OSR (as it is affectionately called). While these negotiations were occurring, Hollywood came calling and asked to make The Shawshank Redemption on site. The state allowed it and from what I learned from the tour guides last week, couldn't have cared less at the time. Hollywood filmed their little movie in peace. As soon as they were finished, the State decided that they had ample space to build their new Maximum Security and Minimum Security prisons behind the OSR. They demolished the back yard and stone walls behind the main buildings to make some room, but left everything else as it ws.

So this was good news for the Adminstrative Buildings and Cells, but for those of us who wanted to see the actual yard and walls where Andy and Red hung out, we were disappointed. However, that was basically the only disappointment we had that day.
The OSR is now run by The Mansfield Historical Preservation Society. The staff are all volunteers who are dedicated to maintaining the buildings and the atmosphere. Besides the weekend guided tours there are daily unguided tours AND on certain nights there are also guided "ghost" tours. My daughter was very interested in those, but the guide said you had to be 21 or older to attend. They turn on only minimal lighting on the premises and the insurance wouldn't allow minors to attend!

There are three tours available at the OSR: East, West, and Hollywood. Originally we had planned to take all three, but the timing didn't work out and the guides assured us that two would be sufficient. So we picked the one starting at 1 PM (even now I'm not sure which it was...East, I guess) and prepared to go in. 

The tour started in the Adminstrative office and some of the guards' quarters before we actually got into the prison section itself. The first thing we visited was the large Hall that was used as a Visitors' Center. It was barred up on both sides and had space for armed guards to sit. If you have ever seen the movie Air Force One, this is where they filmed the Russian prison scenes! So there were large posters of Lenin and Stalin on the wall, which was very surreal. Also, the guide told us that this room was used in Shawshank as the cafeteria...!
From here you could either enter the East block or the West block. At our first tour we went to the East side but later we went on the West side. So I'll show you pics from both. They were both very, very run-down. The tour guide assured us that the place was better kept while there were prisoners living there; now that no one is there 24-7 the heat and cold runs amok, causing rust and peeling paint. Agreeing that the weather would be harsh, it was still pretty depressing. You can see that the East Block just *looks* nicer! Granted, it has been painted and refurbished for some Lil Wayne video filmed there (the one with him in some gold cell was filmed here; not being familiar with him I don't know the song but I did see the gold-painted cell!). Still, the East block looks more like what I imagined a prison would look like...walls between cells and small "windows" to each cell. When we went to the West side we saw that the cells were smaller and much closer together. The guide explained that the East side was for the better behaved prisoners, and I could totally understand that if you had a choice (?!) you would much rather be on the East side. My overall thought during this part of the tour was: I do NOT want to go to prison!!! :-)
Quick note about Shawshank: the scenes IN the prison/cell area and in Andy's cell etc were not filmed at the OSR! Prisons always have cells looking away from each other, not into each other. Also, cell blocks are *never* built against walls in order to prevent escape attempts! But since the story called for those fictitious conditions, those scenes were filmed at an old General Electric plant somewhere else in Mansfield. All the overall and group scenes were filmed at the OSR, but not the actual prison scenes! Pretty funny.
After we visited the cell blocks the tour guide took us to the roof. However, I don't have any photographic evidence of this because it is a federal offense to take pictures on the roof. Why? Because directly behind the OSR are two actual Ohio State Penitentiaries, and it is illegal to take photos of them! We saw the Max and Min security facilities instead of the back yard and walls. Kind of interesting to visit a former prison and see actual prisoners in the distance. Another surreal moment..! We visited one of the guard's towers, too. Guards were stuck on duty for their entire shift...there was a toilet, a sink, and a small heater. If he had run out of coal he could get some lugged up on a bucket on a rope.

Our first tour ended at the back gate where they filmed more scenes from Air Force One. This was exciting for us because we had made a point to see the DVD knowing that we were going to be visiting. It's a stupid movie, but if you want to see more of the OSR it's worth watching.

After we grabbed a quick lunch of hot dogs and nachos (my wife suddenly loves those Cheese Whiz stale chip things, I can't understand it!), it was time for our second tour, The Hollywood Tour. It started at the same place as the first, but we went into the main Administrative building instead of towards the cells. One of the first things we saw was the staircase where the warden and Andy are walking and talking about the prison library. And one of the first rooms we went in had this view:

Yes, the Shawshank warden's office! (Note the view of the driveway in the window.)
This was actually the chaplain's office at the real reformatory, but the producers wanted that view of the police driving up to Shawshank in the movie, so they chose this room. The real OSR warden's office was on the first floor. Immediately next to this was the room where Andy played his opera record and the guards broke the glass on the door to stop him. The toilet where the guard went to "squeeze out a loaf" is actually a closet that Hollywood made into a bathroom! But everything was right where you expected it to be. It was cool.

Then in the offices next to the chaplain's we came across two large, expansive rooms that seemed very familiar...it turns out that the scenes showing the halfway house where Brooks (James Whitmore) and Red (Morgan Freeman) lived after they were discharged were actually filmed at the prison! Hollywood created a fake wall and door to partition the space off and pretend the rooms were at a hotel in town. Brooks' scenes were filmed first, with his scratchings put into the wood of the wall, and then Red's scenes were filmed where he added his name. I had no idea!!

We then were shown the Western cellblocks, which I've already talked about. We went into the showers, too, which looked just like any other open-type shower.... The guide said that all prisoners got a shower once a week whether they wanted one or not; the idea of showering at prison isn't great, and there wasn't anything to really take a picture of, so I'll move along, haha.

The next area we stopped at was The Basement Hall. This was the room where the new prisoners (including Andy) are ushered in for their first meeting with the warden. On display in this room is the actual "hole in the wall" that was used in the shot when Andy's escape is found out. As mentioned earlier, they didn't film the cell scenes at OSR, so when the camera films the warden's face from the point-of-view of the escape hole it wasn't really filmed from inside a hole or a wall. It was a prop made out of plaster paris and paper mache and painted to look like soft granite wall. Also on display in this room is the "pipe" that Andy (Tim Robbins) crawled
through to escape. Hollywood made the pipe at about 18 feet, filled it with chocolate sauce and similar ingredients and filmed Tim Robbins from both ends. When Hollywood was done with it, they left it and the Preservation Society took possession of it.

The tour ended back in the mail room talking about Air Force One again. It seems that in that movie a military helicopter appears at the Russian prison to pick up the General. Well, that was fine, but the director neglected to tell the proper authorities that this scene was scheduled for that night, so when the helicopter actually flew in and landed (next to two actual State Prisons, remember) the authorities were NOT AMUSED. They interrupted filming, ruining all shots from that evening and cancelling production for that night.  We all got a pretty good laugh out of that story.

And with that, our tours were done. The OSR was closing, to reopen later that night for a Ghost Walk. We were some of the last people there, lingering before going...trying to take photos without too many people in them....using the facilities before our hour-plus drive home...somehow not wanting to leave. I lingered in the Gift Shop, trying to decide if I really wanted a Shawshank t-shirt. Now I'm thinking I should have bought one...if not for me then atleast for some friends for Christmas or birthdays! The wife and daughter announced that they were satisfied, and we took one last look as we headed back into the real world, happy to visit but glad not to have to have lived there. On the way out we turned right instead of left and drove through down-town Mansfield, which had substituted for the small city where Brooks fed the pigeons in the park and Red and Andy had walked the streets. It was cool, and a nice way to drive away from "a little bit of Hollywood...."


I read today that the tree made famous in the movie was damaged in the recent storm. We didn't take the time to go visit the site of the tree for two reasons: one, the rock-wall is gone (the owner sold all the rocks on ebay!) and two, well, it's just a tree. Now I'm wishing that we had gone....

JLA #6 "The Debut of the Time Lord!"

Monday, August 1, 2011

JLA Roll Call Portraits version 2

Starting with issue #5, I used Profile "boxes" to show the member, his/her logo, and a quick profile. Usually I included their nickname and their powers.

This collection is from issue #6, which featured the Time Lord.

These lasted for the next five issues or so....
...continued after the jump!