Yesterday Aug 3 was the birthday of John C. McGinley.
Tomorrow Aug 5 is the birthday of Loni Anderson.
Showing posts with label Scrubs. Show all posts
Showing posts with label Scrubs. Show all posts
Tuesday, August 4, 2015
Tuesday, November 12, 2013
Happy Birthday, Sam Lloyd!
Today is Sam Lloyd's birthday. I salute him on the anniversary of his birth, not only because he's a terrific actor but because he seems to be so dern happy at what he's doing. If you love your job, it's not "work."
Happy Birthday, Sam Lloyd!
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| with SCRUBS co-star Ken Jenkins |
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| the debut of The Blanks on SCRUBS |
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| The Blanks |
Tuesday, November 5, 2013
Happy Birthday, Judy Reyes!
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During the course of the show SCRUBS Judy Reyes played funny, she played dramatic, she played hysterical, she sang, and she danced. She was another awesome member of an awesome ensemble cast. I cannot sing their praises enough. So I hope Ms Reyes has an awesome day!
Happy Birthday, Judy Reyes!
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Judy and her favorite SCRUBS co-star, Rowdy
and
a wonderful Judy Reyes as Carla moment!
Tuesday, August 27, 2013
Happy Birthday, Sarah Chalke!
Happy Birthday, Sarah Chalke!
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Tuesday, November 22, 2011
My Favorite TV Shows
I don't hav any one "favorite" TV show. People often say, "I never missed FRIENDS" or "I'm totally a TREKKER" but I guess I'm just too picky to be able to say one particular show is my absolute favorite above all others. No, my favorites break down like this: shows that I love but also hate, and shows that I love.
SHOWS THAT I LOVE BUT ALSO HATE
aka Shows That I Will Check To See Which Episode It Is Before Deciding To Watch It
The best example of this type of show is MASH. The first three years with Trapper John and Henry Blake are good. The next two seasons with BJ and Frank are great. However, the last six years with Charles are, to put it mildly, uneven. So I can't very well say that MASH is my favorite show when I can barely sit through some of the melodrama of the later years. I understand why Larry Linville as Frank (right) wanted to move on, but when he did, he also took the heart of the comedy out of the show.
The two shows created by Sherwood Schwartz, GILLIGAN'S ISLAND and THE BRADY BUNCH, veer wildly between awesome (usually the dream sequences on GILLIGAN and the middle years on THE BUNCH) and the awesomely bad (most guest-stars on the island and the last year with "Cousin Oliver").
BATMAN was fantastically entertaining in its first year, but in its second year it went TOO far overboard and then it got repetitive and just plain silly. Even the addition of sexy Batgirl can't make several of the last season episodes worth watching.
Super spy shows like MISSION:IMPOSSIBLE, THE MAN FROM UNCLE, and THE AVENGERS have more than their share of great episodes. However, UNCLE suffered from the same "camp" over-reach that affected BATMAN, and after it stopped taking itself seriously it couldn't find its way back to its core. Patrick Macnee had played John Steed for several years on THE AVENGERS with several other partners before Diana Rigg came on the scene as Mrs. Peel. Yet, it just wasn't the same after she left. And when Martin Landau and Barbara Bain walked away from MISSION the producers could replace the roles, but not the characters. It, too, was never the same without them.
I loved the premise of the Space Family Robinson LOST in SPACE. However, there are just too many episodes centered around Dr. Smith doing something stupid, usually accompanied by Will and The Robot but nobody else. There were six other great actors on this show, but too often they were wasted because the producers took the lazy way out.
F TROOP is the one I guess I have to call my "guilty pleasure." Watching it now there are only a few laugh-out-loud scenes. The repetitive schtick characters (the bugler who can't bugle, the near-sighted guard, the Alamo survivor) get old. The premise of a post-Civil War fort manned by con men and nincompoops, surrounded by peace-loving Indians, doesn't sound all that entertaining. Yet somehow....I find myself enjoying it every time I watch it. Go figure. Maybe it's the fun leads: Ken Berry as Captain Parmeter, Forrest Tucker as Sgt O'Roarke, Larry Storch as Corporal Agarn, Melody Patterson as Wrangler Jane, and Frank DeKova as Chief Wild Eagle. Maybe it's the colorful surroundings (I heard later that the series was filmed on one of Warner Bros.' old "standing lots" which means it looked real cool. Whatever it is, I'm thinking I'll go watch an episode right now. Maybe the one with the Bed Bugs. :-)
THE ODD COUPLE featured the over-the-top sloppiness of Oscar and the persnickity cleanliness of Felix. This was a wonderful dichotomy to base a situation comedy on. Even now, years later, I find myself thinking of scenes or bits from this series. Did everyone learn the "don't assume because it makes an ass of u and me" lesson from this series, or was it just helpful in getting the message out there? Anyway, it was no accident that both Jack Klugman and Tony Randall won Emmy Awards for their work on this show.
It took me about a year to get into the medical comedy/drama SCRUBS. The first few times I watched it, with JD's weird narration and surreal imaginary scenes, it didn't do anything for me. But then I saw a few "serious" episodes: one where the three leads each had to deal with dying patients and one where Dr. Cox has to deal with his best friend having leukemia. I finally got that what JD was doing was his defense mechanism agains the pain, fear, and sadness that surrounded him at Sacred Heart Memorial Hospital. After I "got" it, I enjoyed it for its entire run.
I didn't know what to expect from MY NAME IS EARL. I'm pretty sure it came on between two shows that I already watched, so I kept it on and then learned to love it. The premise is great: Earl Hickey, perpetual bad guy, wins the lottery but then is hit by a car, causing him to lose the ticket. In the hospital he decides to change his life by writing a list of all the bad things he has ever done ("Lost Dad the election," "Pretended to be dead to break up with a girl," etc) and then going out to make them right. As soon as he leaves the hospital, he finds his lottery ticket, and thusly believes in Kharma. This show was one of the few where I could *not* guess what was going to happen every week. In one episode, Earl frets about having to tell an ex-con buddy that it was his fault that the friend has been sent to prison. The friend was an angry SOB so Earl was scared to confess to him. When they finally get together, however, what happened was something I never saw coming. For that sense of wonder so often missing from mainstream TV, it earned its place on this list.
To me, the ultimate situation comedy is THE BOB NEWHART SHOW. Bob was fun to be with, whether he was at home with his funny & affectionate wife Emily (a fantastic Suzanne Pleshette) or at the office with his crazy but also very funny mental patients. Jack Riley as angry Mr. Carlin was especially memorable. I always liked Bob's deadpan delivery style of comedy. So while my parents liked ALL in the FAMILY and my sisters liked MARY TYLER MOORE, I always liked Bob. I was very lucky to meet "Carol," Marcia Wallace herself at a Mid-Ohio Comic Convention, and she graciously signed one of my DVD covers.
SHOWS THAT I LOVE BUT ALSO HATE
aka Shows That I Will Check To See Which Episode It Is Before Deciding To Watch It
The best example of this type of show is MASH. The first three years with Trapper John and Henry Blake are good. The next two seasons with BJ and Frank are great. However, the last six years with Charles are, to put it mildly, uneven. So I can't very well say that MASH is my favorite show when I can barely sit through some of the melodrama of the later years. I understand why Larry Linville as Frank (right) wanted to move on, but when he did, he also took the heart of the comedy out of the show. The two shows created by Sherwood Schwartz, GILLIGAN'S ISLAND and THE BRADY BUNCH, veer wildly between awesome (usually the dream sequences on GILLIGAN and the middle years on THE BUNCH) and the awesomely bad (most guest-stars on the island and the last year with "Cousin Oliver").
BATMAN was fantastically entertaining in its first year, but in its second year it went TOO far overboard and then it got repetitive and just plain silly. Even the addition of sexy Batgirl can't make several of the last season episodes worth watching.
Super spy shows like MISSION:IMPOSSIBLE, THE MAN FROM UNCLE, and THE AVENGERS have more than their share of great episodes. However, UNCLE suffered from the same "camp" over-reach that affected BATMAN, and after it stopped taking itself seriously it couldn't find its way back to its core. Patrick Macnee had played John Steed for several years on THE AVENGERS with several other partners before Diana Rigg came on the scene as Mrs. Peel. Yet, it just wasn't the same after she left. And when Martin Landau and Barbara Bain walked away from MISSION the producers could replace the roles, but not the characters. It, too, was never the same without them.
THE JEFFERSONS started out incredibly fresh and topical: one of the only TV series in the 70s with African-American leads, it also had the first bi-racial couple, The Willises, as supporting characters.
The first few years were all about the characters, but as the show got older and more established it became more pedestrian (for lack of a better term). When it lost its edge, it lost a lot of its appeal to me.
STAR TREK is supposed to be about an international (and inter-galactic!) crew working together to investigate the unknown. However, there are just too many Kirk-Spock-McCoy episodes. All of my favorite episodes featured most if not all of the Enterprise crew. Also, how many episodes did we really need about Man's Over-Dependance On Machines, or set on planets oddly similar to Earth?
I loved the premise of the Space Family Robinson LOST in SPACE. However, there are just too many episodes centered around Dr. Smith doing something stupid, usually accompanied by Will and The Robot but nobody else. There were six other great actors on this show, but too often they were wasted because the producers took the lazy way out.
DEEP SPACE NINE is my favorite overall STAR TREK series. It has a great premise, a great cast of characters who shared the spotlight in various storylines, and a great cast of actors portraying said characters. However, in its later years it got bogged down in its own mythology and continuing storyline. If I happened to miss an episode (which I did, because I was living in Japan at the time) it was difficult to figure out what was going on. By the last few years it was less like STAR TREK and more like DYNASTY.
I was tempted not to include my two favorite variety shows, The MUPPET SHOW and The CAROL BURNETT SHOW, because both were always entertaining enough; it just depended on who the guest star was if the episode was truly classic. Still, I would prefer even the dullest guest on either of these shows to most anything else out there, then or now.
SHOWS THAT I LOVE
aka Shows That I Want to Own on DVD and Watch Repeatedly
F TROOP is the one I guess I have to call my "guilty pleasure." Watching it now there are only a few laugh-out-loud scenes. The repetitive schtick characters (the bugler who can't bugle, the near-sighted guard, the Alamo survivor) get old. The premise of a post-Civil War fort manned by con men and nincompoops, surrounded by peace-loving Indians, doesn't sound all that entertaining. Yet somehow....I find myself enjoying it every time I watch it. Go figure. Maybe it's the fun leads: Ken Berry as Captain Parmeter, Forrest Tucker as Sgt O'Roarke, Larry Storch as Corporal Agarn, Melody Patterson as Wrangler Jane, and Frank DeKova as Chief Wild Eagle. Maybe it's the colorful surroundings (I heard later that the series was filmed on one of Warner Bros.' old "standing lots" which means it looked real cool. Whatever it is, I'm thinking I'll go watch an episode right now. Maybe the one with the Bed Bugs. :-)
THE ODD COUPLE featured the over-the-top sloppiness of Oscar and the persnickity cleanliness of Felix. This was a wonderful dichotomy to base a situation comedy on. Even now, years later, I find myself thinking of scenes or bits from this series. Did everyone learn the "don't assume because it makes an ass of u and me" lesson from this series, or was it just helpful in getting the message out there? Anyway, it was no accident that both Jack Klugman and Tony Randall won Emmy Awards for their work on this show.
WKRP in CINCINNATI was originally supposed to be all about Andy (a great Gary Sandy) and his new life in Cincinnati as a program director at the least popular radio station in town. Pretty quickly, however, the show stopped centering on Andy's life and expanded out to all of his crazy co-workers. Blessed with fine writing and a wonderful ensemble cast, WKRP left us too soon. Plagued with royalty or copyright issues for all the real 70s and 80s music the show used, the DVD releases of this classic are also, sadly, delayed.
It took me about a year to get into the medical comedy/drama SCRUBS. The first few times I watched it, with JD's weird narration and surreal imaginary scenes, it didn't do anything for me. But then I saw a few "serious" episodes: one where the three leads each had to deal with dying patients and one where Dr. Cox has to deal with his best friend having leukemia. I finally got that what JD was doing was his defense mechanism agains the pain, fear, and sadness that surrounded him at Sacred Heart Memorial Hospital. After I "got" it, I enjoyed it for its entire run.
I didn't know what to expect from MY NAME IS EARL. I'm pretty sure it came on between two shows that I already watched, so I kept it on and then learned to love it. The premise is great: Earl Hickey, perpetual bad guy, wins the lottery but then is hit by a car, causing him to lose the ticket. In the hospital he decides to change his life by writing a list of all the bad things he has ever done ("Lost Dad the election," "Pretended to be dead to break up with a girl," etc) and then going out to make them right. As soon as he leaves the hospital, he finds his lottery ticket, and thusly believes in Kharma. This show was one of the few where I could *not* guess what was going to happen every week. In one episode, Earl frets about having to tell an ex-con buddy that it was his fault that the friend has been sent to prison. The friend was an angry SOB so Earl was scared to confess to him. When they finally get together, however, what happened was something I never saw coming. For that sense of wonder so often missing from mainstream TV, it earned its place on this list.
To me, the ultimate situation comedy is THE BOB NEWHART SHOW. Bob was fun to be with, whether he was at home with his funny & affectionate wife Emily (a fantastic Suzanne Pleshette) or at the office with his crazy but also very funny mental patients. Jack Riley as angry Mr. Carlin was especially memorable. I always liked Bob's deadpan delivery style of comedy. So while my parents liked ALL in the FAMILY and my sisters liked MARY TYLER MOORE, I always liked Bob. I was very lucky to meet "Carol," Marcia Wallace herself at a Mid-Ohio Comic Convention, and she graciously signed one of my DVD covers.
If you haven't seen all of these shows I've talked about here, I strongly suggest you go to your local library or to youtube or Target and check them out. They may not all be to your liking, but I am guessing that if you made it this far, you'll find *something* you'll like. If you want specific episode or seaons recommendations, just let me know.
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