Batman #254 (February 1974)
cover: Nick Cardy
title: "King of the Gotham Jungle!"
writer: Frank Robbins
penciller: Irv Novick
inker: Dick Giordano
editor: Julius Schwartz
Kirk Langstrom is back at the Gotham Natural History Museum listening to the police-band radio as he works. Kirk remembers (for the benefit of new readers) that the original reason he created his bat-serum was to fight crime alongside his idol, Batman.
Meanwhile, out in the city there have been a rash of unsolved robberies plaguing the police. Batman thinks he has come across another incident, so he sits tight to watch what happens. He hopes to trail the criminals back to their base to nap all of the gang. However, eager GCPD officers try to catch the escaping thieves, lousing up Batman's plan. Then Batman realizes that the escaping van was only a distraction, and that the gang has escaped through the man-hole the van had been parked over.
The next night, Batman comes across Ajax Warehouse. He rushes in, sure that he will encounter the gang. However, what he has found is a set-up that the so-called Getaway Genius concocted to keep him and the police busy. Across town, the real gang of thieves has completed another robbery when they are discovered by Man-Bat.
Man-Bat finally manages to maneuver the chopper into a water-tower, downing them by nearly drowning them. Man-Bat stops the gang, and Batman arrives just in time to stop the Getaway Genius himself. He shakes Man-Bat's hand, hoping that they might one day be partners.
Commentary:
This is the first Man-Bat story that I think just doesn't work. The last time we saw Kirk Langstrom, he and his wife were in Las Vegas trying to cure her of being an actual vampire bat woman. This time, we not only never see her, we don't even hear about her condition. If this was the first time you ever came across Man-Bat, you wouldn't even know he was married, let alone how much drama there has been in his life. He's almost pedestrian here.
And that is a symptom of what is really wrong with this story: for the first time, Man-Bat is NOT the focus of the adventure! WAAAAAY too much time is spent on the Getaway Genius and how he is outwitting Batman. In this 13 page story, we never even see Man-Bat until page 9. That is unacceptable.
It's frustrating to see that Man-Bat creator Frank Robbins is treating him as a story device. We get no characterization, no camaraderie between him and Batman, and, as mentioned earlier, no small talk about Francine. We don't even have the usually super-concerned Batman asking Kirk if he really is OK playing Man-Bat....which was the plot point of, arguably, every previous Man-Bat story up to this one! Instead we get a "great, let's team-up again sometime!" ending tacked on that just feels...weird. It's like DC skipped a story somewhere in-between this one and Detective Comics #429.
As for the art, Nick Cardy draws one ferocious Man-Bat on the cover. Unfortunately, ferocity was never Irv Novick's forte. He is competent, but he was much better at drawing straight-laced characters like Robin, the Flash, and Commissioner Gordon than he ever was at Batman or Man-Bat. Dick Giordano does what he can but Man-Bat looks weak and ugly here instead of weird slash creepy and strong.
Overall not one of Man-Bat's better appearances.
Man-Bat Trivia Notes:
- The cover by Nick Cardy is one of those classic illustrations that just screams "Seventies Comics!"
- This is the first time Man-Bat appears outside of his original home, Detective Comics.
- This is the last Man-Bat story by his co-creator, Frank Robbins. Robbins left DC soon after this issue and moved to Marvel, where he drew Captain America and The Invaders until he retired from comics.
- This is the first 100 Page Super-Spectacular Batman. The initial price here is fifty cents, although the format is more well-known as "100 Pages For Sixty Cents." Batman kept this giant format for the next six issues.
- The Getaway Genius' real name is Roy Reynolds.
- The back-up story in this issue stars Robin in "The Phenomenal Memory of Luke Graham!" by Elliot Maggin, Dick Dillin, and Murphy Anderson.
- The reprints in this issue are as follows: The Witch and the Manuscript of Doom (World's Best Comics #1); The Bullet-Hole Club (World's Finest Comics #50); The Man Who Stole From Batman (Detective Comics #334); The Son of the Joker (Batman #145); and The Guardian of the Bat-Signal (Batman #85).
Wow- It may be Nostalgia for me, but I loved this book! You start with a Cardy cover, and Novick on the Batman was always a pleasure- down to earth, still atmospheric, but not extreme. However- as I was new to comics- I was not aware of the Langstom continuity issues. -George R.
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